industrious and powerful, and more than just the specificity of their movement, its effect is such that you are never quite sure what will happen next, or what they"re capable of. Moreover, they exert their physicality in a way that displays a tendency towards possessiveness and machismo. In The Cameraman (1928), Keaton kicks another man into a swimming pool for talking to his date. This anticipates a scene in which Henry wrestles a man known only as The Accompanist into his pool, having had suspicions that he posed a

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