There seems to be a stark contrast between the tone and topic of Bartha"s Kontakt and Paula Markert"s A Journey Through Germany, yet both works prompt reflection on identity and affiliation, from viewers and the artists themselves. Markert"s intensive study came about following the 2011 naming of the NSU terrorist suspects, and the murder trial that began in 2013; the victims included nine civilians of Turkish and Greek heritage (most of whom ran small neighbourhood businesses, though the Bavarian State Police insisted for years that they were involved with immigrant crime gangs), and a German policewoman.

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