haracter so amiable, so honourable as Macbeth," she writes. Her depiction was "tragedy personified," as critic William Hazlitt put it, and starkly contrasted with fellow 18th-Century star Hannah Pritchard"s earlier turn which clung to the "savage, demoniac" tradition. Siddons" influence would be felt a century later, in 1888, when stage star Ellen Terry, inspired by an imperative in Siddons" essay to "not hold by the "fiend" reading of

อ่านต่อได้ที่ : โรงเรียนบ้านคลองปราบ

สาระน่ารู้ : ผลกระทบ